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Remodernist film
Remodernist film developed in the United States and the United Kingdom in the early 21st century with ideas related to those of the international art movement Stuckism and its manifesto, Remodernism. Key figures are Jesse Richards and Peter Rinaldi.
==Manifesto and philosophy==
On August 27, 2008, Jesse Richards published a 15 point (Remodernist Film Manifesto ), calling for a "new spirituality in cinema", use of intuition in filmmaking, as well as describing the remodernist film as being a "stripped down, minimal, lyrical, punk kind of filmmaking". Point 4 is:
The Japanese ideas of wabi-sabi (the beauty of imperfection) and mono no aware (the awareness of the transience of things and the bittersweet feelings that accompany their passing), have the ability to show the truth of existence, and should always be considered when making the remodernist film.
There are also several polemic statements made in the manifesto that criticize Stanley Kubrick, filmmakers that shoot on digital video, as well as Dogme 95.〔("Remodernist Film Manifesto", When The Trees Were Still Real, August 27, 2008 ) Retrieved September 1, 2008〕 In December, 2008, Turkish film magazine ''Bakiniz'' translated the manifesto into Turkish and soon after Polish magazine ''Red'' translated it into Polish.〔("The Remodernist Film Manifesto", Bakiniz, December 28, 2008 ) Retrieved December 28, 2008〕
Remodernist film calls for a return to emotional and spiritual meaning in cinema, as well as an emphasis on new ideas of narrative structure and subjectivity. Elements of No Wave Cinema,〔Kallay, Jasmina. ("Tales from the Blank Generation" ), ''Film Ireland''. Retrieved 6 February 2010.〕 French New Wave, punk film, expressionist, spiritual and transcendental filmmaking, as well as Antonin Artaud's ideas on the Theatre of Cruelty helped lead to this new film movement.〔("Remodernist Film", MungBeing, October 4, 2009 ) Retrieved October 9, 2009〕 They champion the works of Andrei Tarkovsky, Yasujiro Ozu, Robert Bresson, Jean Rollin, Michelangelo Antonioni, Jean Vigo, Amos Poe, Jean Epstein and Nicholas Ray among others, as well as Bela Tarr's film ''Satantango'' and Jean-Luc Godard's ''Hail Mary''.〔("Interview with Remodernist Filmmaker Jesse Richards", Bakiniz, December 28, 2008 ) Retrieved December 28, 2008〕〔
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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